Refusal and Re-Fusing


Salvador Dali, Transformation of ‘Antiques’ Magazine Cover into the Apparition of a Face (1974)

When the anarchocynic sets aside wildness in favor of propriety, (s)he becomes a tool of conservation rather than a mode of entropy.

Anarchocynicism refuses disciplinary constancy which separates actor from action. Anarchocynicism re-fuses the alienated individual within World-Being.


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